<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Screen &amp; Culture on AuthZ</title><link>https://authz.ca/essays/screen-culture/</link><description>Recent content in Screen &amp; Culture on AuthZ</description><generator>Hugo</generator><language>en-CA</language><atom:link href="https://authz.ca/essays/screen-culture/index.xml" rel="self" type="application/rss+xml"/><item><title>Translation, Not Replication: How Cinema Finds the Nuance of Literature</title><link>https://authz.ca/essays/translation-not-replication/</link><pubDate>Mon, 13 Oct 2025 00:00:00 -0700</pubDate><guid>https://authz.ca/essays/translation-not-replication/</guid><description>This article argues that the most successful film adaptations, such as &amp;lsquo;Rear Window,&amp;rsquo; &amp;lsquo;Jaws,&amp;rsquo; and &amp;lsquo;Psycho,&amp;rsquo; don&amp;rsquo;t just copy their literary sources but translate their core themes into a new, distinctly cinematic language built on visuals, performance, and sound.</description></item><item><title>The Literary Single Take: Narrative Techniques for Cinematic Immersion</title><link>https://authz.ca/essays/literary-single-take/</link><pubDate>Sun, 12 Oct 2025 00:00:00 -0700</pubDate><guid>https://authz.ca/essays/literary-single-take/</guid><description>This article proposes a framework of &amp;lsquo;functional analogy&amp;rsquo; connecting the cinematic single take with literary techniques such as stream of consciousness, sustained second-person narration, and the one-sentence novel. Drawing on film theory and narratology, it examines how prose can simulate the temporal pressure of an unbroken shot.</description></item><item><title>The Lupin Gambit: Adaptation by Indirection</title><link>https://authz.ca/essays/lupin-gambit-netflix/</link><pubDate>Thu, 09 Oct 2025 00:00:00 -0700</pubDate><guid>https://authz.ca/essays/lupin-gambit-netflix/</guid><description>This essay proposes ‘narrative inheritance’ as an AuthZ framework for reading Lupin: Assane Diop does not replace Arsène Lupin but studies and performs him, connecting Leblanc&amp;rsquo;s class tensions with a contemporary story of race, migration, family, and visibility.</description></item><item><title>The Red Room's Long Shadow: What the Twin Peaks Finale Refuses to Settle</title><link>https://authz.ca/essays/twin-peaks-finale-cognitive-disruption/</link><pubDate>Sun, 05 Oct 2025 00:00:00 -0700</pubDate><guid>https://authz.ca/essays/twin-peaks-finale-cognitive-disruption/</guid><description>The Twin Peaks Season 2 finale closes some of its immediate plot while turning Dale Cooper&amp;rsquo;s rescue mission into an unresolved crisis of identity. This essay separates that close reading from claims about audience psychology and the episode&amp;rsquo;s later influence.</description></item><item><title>Television as Thought Experiment: Two Moral Tests in The Twilight Zone</title><link>https://authz.ca/essays/twilight-zone-moral-imagination/</link><pubDate>Sat, 04 Oct 2025 00:00:00 -0700</pubDate><guid>https://authz.ca/essays/twilight-zone-moral-imagination/</guid><description>This essay proposes ‘Television as Thought Experiment’ as an AuthZ interpretive framework, comparing how two early Twilight Zone episodes test desire, suspicion, and collective responsibility.</description></item><item><title>The Genre as Barometer: Screenwriting and American Distrust</title><link>https://authz.ca/essays/genre-as-barometer/</link><pubDate>Fri, 26 Sep 2025 00:00:00 -0700</pubDate><guid>https://authz.ca/essays/genre-as-barometer/</guid><description>This essay treats three “shared fictions”—a just system, a benevolent state, and a coherent self—as an AuthZ interpretive framework for reading selected American crime films.</description></item><item><title>The Trojan Horse of Laughter: Screwball Comedy as Social Critique</title><link>https://authz.ca/essays/the-trojan-horse-of-laughter-screwball-comedy-as-social-critique/</link><pubDate>Fri, 12 Sep 2025 00:00:00 -0700</pubDate><guid>https://authz.ca/essays/the-trojan-horse-of-laughter-screwball-comedy-as-social-critique/</guid><description>This essay treats the ‘Trojan horse’ as an AuthZ interpretive frame, not a proven industry strategy. It follows five comedies from 1940 to 1960 while separating what their production records establish from what their class, gender, and workplace conflicts invite viewers to infer.</description></item></channel></rss>