A close reading of bodily imagery in Charles Dickens’s A Tale of Two Cities, using Bakhtin’s grotesque body and Foucault’s spectacle of punishment as interpretive lenses.
A critical analysis of Virginia Woolf’s literary modernism, arguing her narrative innovations were a form of cognitive cartography designed to map the fractured, interiorized self of the 20th century.
Surrealism, consumption, and the search for self in late capitalism
A critical analysis of Haruki Murakami’s fiction, arguing that his signature blend of surrealism, Western pop culture, and mundane ritual functions as a map of alienation in a globalized, late-capitalist world.